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A bizarre sextet originating from the depths of Sweden, Diablo Swing Orchestra (D:S:O) have quickly emerged as a force in avant-garde and progressive metal. With a semi-historical back-story in one hand, a cello clutched in the other and the courage to embrace ideas from genres as diverse as swing and gothic metal in their hearts, this is one band that stands up and demands the world’s notice.
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It's done, it's a reality. After losing most of their gear in a fire, suffering criminal lack of attention from the music world at large, and numerous other hindrances, Melbourne individualsters Sleep Parade have released their debut album. Things Can Always Change is epic, coherent, meditative, hard rocking, and cathartic for both the band and the listener. It's filled from start to finish with abundant colour, captivating musical journeying, slick studio production and raw human emotion.
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Well, for starters, I'm quite bemused that I'm reviewing for OzProg an album by a band that seems to contradict every aspect of the progressive genre, demanding a return to the heady days of the 80s: lame video-game consoles, brain-hurting-ly fast and endless guitar solos, singalong choruses and keyboards that sound like a clock radio's alarm setting, but in different pitches. Still, I like DragonForce... even if I sometimes don’t admit it. So, let the Inhuman Rampage begin.
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One of Melbourne's best-kept musical secrets is the instrumental rock band Mushroom Giant. Kuru is their deep and powerful exploration of the oft-ignored subject of... cannibalism.
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After reading the setlist of this fantastic two-disc live record, I prepared for the best, and within seconds of the opening notes, my expectations were well and truly met. Opeth are more than "in form", they are on fire.
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